1. |
|
|||
2. |
The Postcard
14:42
|
|
||
3. |
To Whimsy and Stone
15:45
|
|
||
4. |
Simeon
19:05
|
|
||
5. |
Rumors of a Good Thing
17:33
|
|
||
6. |
Those Lovely Intangibles
17:18
|
|
||
7. |
Mark and Jane
14:59
|
|
||
8. |
North Wind
18:34
|
|
||
9. |
Sane and Cheerful
16:49
|
|
||
10. |
Letters Home
16:47
|
|
||
11. |
Bells and Parachutes
19:29
|
|
||
12. |
Léonie
18:37
|
|
Miriam Marston Portland, Oregon
I started composing when I was 10. I called one of my first songs "Nostalgia", although I can't recall what my ten year old self was so nostalgic about. Released my first album in 2000. Things got busy, but I never stopped writing. Even if it meant composing on a mostly-broken piano in the basement of a university that I wasn't even enrolled in. Enjoy all the music and reading! Pax. MM ... more
If you like Miriam Marston, you may also like:
About Time
by Adriana Vasques
featured on Bandcamp Radio Dec 6, 2022
go to album
Better By Now
by Brooke Annibale
The indie-pop artist reflects on love and anxiety on her latest album.
go to album
Our Blood Is Red
by Luke James Williams
Emotive acoustic balladry from this UK musician with heart on sleeve and hushed arrangements.
go to album
Vertulie
by Lalin St. Juste
Oakland singer-songwriter honors her Haitian heritage with five R&B spirituals overflowing with radiance, fueled by her soft, angelic voice.
go to album
Continuum
by Carol Fieldhouse
The tender UK psych folk on “Continuum” explores motherhood through song.
go to album
Movements
by Natalie Evans
The newest release by the classical artist uses harp, guitar, and field recordings to set the tone of the album.
go to album
The Edge of the Land
by Katie Spencer
Spencer's indie folk sophomore album was recorded live in the studio over the course of two days.
go to album
